From Yan Shou Gong Quan, Chen Bing makes a quarter-turn to the right, moving his right foot. Then he steps to a wider stance with the right, reaches with the left hand, grabs and pulls while hammering with the right. Below you see him grab with left:

Hammer with right:

He then advances with a skipping left-right and repeats the grab-hammer, which is called Duo Er Gong, double forearm punches.

Next, he steps forward with the left throwing three quick punches, left, right, left. This move is called Zuo Er Gong You Er Gong.

Hui Tou Dang Men Pao is a turning move. After the last punch left, he picks up his left foot and monkey hops around, left-right-left and hits back in the direction he came from with both forearms. He then mirrors that move, right-left-right coming back, with the Dang Men Pao to his left:

At 3:00, he picks up his right foot and does an elbow block at the waist. He follows this with another right elbow strike, this one not blocked by the left hand. He then skips left-right and does another grab-and-hammer.

It’s not clear how to parse the names with the movements in this section. Yao Lan Zhou is a repeated move, the elbow block at the waist, which I recognize (from just before Da Gong Quan Xiao Gong Quan). I think Wo Di Da Zhuo Pao must be the blows at the end of the turning move, Hui Tou Dang Men Pao. Then Shun Lan Zhou is the second elbow strike (without the left hand) and the last hammer is Wo Di Pao.

Anyway, the final turning move before the Buddha Stamp is surely Hui Tou Jing Lan Ji Ru. He turns right-left-right, throws a right elbow and we’re done. JinGang Dao Dui, Shou Shi.

The leg sweeps in the third section of Laojia Erlu occur at 2:40-2:45 of the Chen Bing video. The strike with concealed fist (Yan Shou Gong Quan) is followed by Quan Pau Chui, translated as “The Whole Cannon Fist” on the Chicagojaiji.com list of names I’m using.

The Yan Shou Gong Quan after the sweeps faces to our left in the video. He resets (right left) in the same position (maybe advancing a little bit) and does Quan Pao Chui to the left. It’s a double hammer-fisted blow to the left, both fists palm-up. Master Gohring describes the Quan Pao Chui as picking up a bucket of water and throwing it to the left. That works for me!

Master Bing then resets (left right) facing away and does Quan Pao Chui to the right, which what he is doing in the screen grab above at about 2:47. Reset (right left) facing to screen left and repeat Yan Shou Gong Quan. This is the end of the third section of the form. We’re at 2:50.

The fourth section has ten moves, including the final Jin Gang Dao Dui and Shou Shi. That last Buddha stamp is at 3:07 (the video ends at 3:20), so between 2:50 and 3:07 — 17 seconds — we’ll do eight moves we haven’t learned yet. They are:

• Duo Er Gong – Double Forearm punches
• Zuo Er Gong You Er Gong – Left and right forearm punches
• Hui Tou Dang Men Pao – Turning around forearm punches
• Wo Di Da Zhuo Pao – Punches under the armpits
• Yao Lan Zhou – Dragging the waist and hitting with the elbow
• Shun Lan Zhou – Hitting with the elbow
• Wo Di Pao – Side lower punch
• Hui Tou Jing Lan Ji Ru – Turning around elbows

That fourth section up to the last Buddha stamp is all fajin. It’s like a fireworks show, where you get to the end and they set off a long volley for a climax.

The leg sweeps begin right after the punch at 2:40 in my go-to video of Chen Bing. He sweeps first with the left leg, then with the right, then sets up for another punch at 2:44.

The footwork: He turns the left foot in, turns onto the right and sweeps the left leg around. He’s now facing away, so he’s made a 3/4 turn. He pivots on the left and sweeps the right leg around. That’s another 3/4 turn, for a total 1 and 1/2 turns. He rises on both feet, then sets up for the punch right-left.

After he turns the left foot in, he drops down to a low squat on the right and touches down with both hands while sweeping the extended left leg around (above). He shifts into a left squat, hands still on the ground, while he sweeps the right foot around (below).

Happily, Master Gohring, who by the way is now Grand Master Gohring (8th degree!), is offering us an upright modified version of this move. The footwork is pretty much the same: left-right-left, left-right-left (and then right left for the punch). The sweep is just a swing of the leg.

Between the speed, the deep squats, and the turning, there’s significant potential for knee injury on this move (in my opinion), especially for older students like me. I for one will probably experiment with the sweep shown above, but I doubt I’ll try it at full speed any time soon. I am happy about the modified option!

After the wrap crackers (Guo Bian Pao, on the Chicago list), we do the “beast head pose” (Shou tou shi). The freeze frame below occurs at 2:14 in the Bing video that I am using.

Beast Head Pose (Shou Tou Shi) at 2:14

From the last wrap cracker, at 2:12, step back with the right while circling the right fist down, back and around. The left fist circles down, back and around following the right fist. Finish in left cat stance with the left fist inside the left knee and the right fist by the right temple.

Step onto the left (he doesn’t appear to pick it up first), skip once (right-left), and fajin, hammering back and down with the right fist and at head-level with the left at 2:15:

He then drops his arms and makes a huge leap, turning 180 degrees, landing with the right fist punching down. He immediately ball–changes right-left for Yan Shou Gong Quan. The slow motion feature (see Jan 22 post) is a life-saver! I wish I had discovered it a long time ago!

From the list of names I’m using (Chicagitaiji laojia erlu list of names), it appears we are at the end of the second section. Pi Jia Ji (Wearing a Frame) must be the fajin; Fan Hua Fu Xiou is the 180-degree leap. It’s the same leap that immediately preceded Yan Shou Gong Quan at the end of the first section.

The next section begins with Subduing the Tiger (Fu Hu) at 2:20. I note that he does step back a step with the right; I find that I have to, even though I try to widen my stance for the cannon fist. The right hand pulls back, palm up, then circles up. Both hands spiral into a hit-the-tiger position.

Subdue the Tiger (Fu Hu) at 2:20

Rise for a palm strike. The right arm circles out, the left arm circles under it, and the strike is to the right near corner.

We get a break. Two sets of three one-handed cloud hands-type moves follow, and these are comparatively slow. From the Palm Strike (Mo Mei Gong?), he faces away, feet together, left hand at the waist, and backhands to the right while stepping sideways to the left, cloud hands-style. Then he cross-steps behind with the right as the arm circles down, so the right hand sort of follows the right foot.

After three steps to the left, the final cross-step is a ball-change 180-degree turn to face front. I think it’s actually the same turn as the one in the middle of the firecrackers. The right hand goes to the waist and the left backhands, cloud hands-style with a step to the left. In this direction, the left hand follows the left foot for three steps.

That series is called Yellow Dragon Stirs the Water Three Times–Huang Long San Jiao Shui. The next two moves are Zuo Chong and You Chong, left and right thrust kicks. At the point when his feet are together after the third step, he steps back to his right, circles the arms out and scoops to gather for the kick:

He pivots on the left foot to face away for the right kick. He lands with a ball change right-left for Yan Shou Gong Quan and we are ready for the dreaded sweeps. We are at 2:40, and we’re halfway through the third section (of four).

Wrapping Firecrackers, Guo Bian Pao, takes less than 10 seconds. From the Yan Shou Gong Quan (punch) at 2:05 (Bing video), Master Bing turns around to the right and makes two fajin moves to his left. Then he turns 180 and does two more.

That first turn: he picks up his right foot, pivoting on the left foot, and does a ball-change, right-for-left. It’s a 270-degree turn. His arms close on the turn, then he does a double back-fist. Picks up the right foot, does a ball-change to the left, landing right-left, and does another double back fist.

The second turn: picks up the right foot, pivoting on the left to the right, and does a ball-change right-left. Pow. Pick up the right, ball change right-left. Pow. So it’s actually sort of simple (in slow motion! In theory!) — he does the same thing four times, with two turns. Easy, right?

The Chicago school (Chenjigou Taijiquan, USA Chicago, which appears to be pretty closely tied to the major proponents of the Chen style in Chen village) divides the form into four sections, with the first section ending in Yan Shou Gong Quan. This is just before where I left off.

The second section begins with the 180-degree turn and the elbow strike (hit the left palm with the elbow, by the way). What follows is a turning version of Cloud Hands. The footwork:

• Step around with the right to face front.
• Cross step behind with the left.
• Step out to the right and pivot on the right heel to face away.
• Step out with the left.
• Cross step behind with the right.

In this frame (below), Master Bing is about to face away. The left foot was planted across and behind the right; he is stepping out and pivoting on the right heel.

Pivoting on the right heel to face away

At the end, step out to the left and prepare to take four bamboo steps back in the opposite direction (see below).

I call this Cloud Hands, but it’s not Yun Shou. It’s Da Gong Quan Xiao Gong Quan. The translation offered is simply waving hands. To me, it looks like “big fist work, little fist work”–never mind! I am mystified about quite a few names, at this point. I see chopping hands, overturning flowers and waving sleeves in between Zhi Dang and Yan Shou Gong Quan. Hmmm!!!!

Anyway, the waving hands pretty much follow the left foot when he’s facing forward and the right foot when he’s facing back. That is, when he steps out to the right, his hands are to the left of his body; when he cross-steps behind with the left, the hands are waving to the right of the body. When he swings 180, he’s pivoting on the right heel and his hands swing to the right of his body as he step left. When he cross-steps behind with the right foot, his hands are waving to the left.

Advance with bamboo step right.

Step back onto the left foot, touch-step with the right, hands crossed at the chest, right hand in front. Advance four quick bamboo steps, leading with the right (above). We have barely begun the second section, and we are at the two-minute mark, so apparently, we are going to cram the rest of the form into one minute twenty seconds!