This famous fan form was created in the early two thousands by Li Deyin as part of the pageantry that surrounded the 2008 Beijing Olympics. It is the second of two fan forms that Li composed for that occasion. The first was Kung Fu Fan. Both routines immediately became very popular.
This form is called Xi Yang Mei (Beautiful Sunset), or 56-Fan, or Fan II (第二套 dì èr tào, “the second way”). It is one of the most sophisticated and spectacular modern forms, first performed in Beijing by Li’s daughter, Faye Li Yip. Here she gives an amazing performance:
Xi Yang Mei is eclectic in style. Its movements are drawn from Tai Chi (both Yang and Chen), Bagua, Long Fist, Bajiquan (never heard of it! I had to look it up), sword, staff and spear, Northern and Southern Fist, even Beijing Opera. Like the music that accompanies it, Kung Fu Fan, it is a celebration of the Chinese martial arts.
Li has made more than one instructional video for this form. A new one, posted in 2020, is the first I’ve seen that has English subtitles. While I prefer to listen for the Chinese instructions (see the PDF below), it is very helpful to have English translations of the discussions where Li explains important points and also identifies the provenance of the various movements.
The tutorial is in three parts, each about thirty minutes long:
Here is a list of the 56 movements and Li’s instructions for each: PDF Xi Yang Mei Instructions
Xi Yang Mei is a good bit more difficult than Kung Fu Fan. Also, while Kung Fu Fan is a great ensemble piece, Xi Yang Mei is more suitable for a solo performance. You do see groups of three performing Xi Yang Mei—I have performed it with two other people myself—but it’s a lot easier to field a group for Kung Fu Fan.
Xi Yang Mei is an endlessly absorbing form to study and practice. I first learned it from my friend and teacher Hu Pei Yi, and I have studied Li’s various tutorials over the years, but even so, watching this latest set of videos, I see a whole slew of corrections for myself:
Obviously, I have a long way to go yet! I can only admire the elite performances in Li’s video—I particularly like to watch Fang Mishou (on the left in the opening demonstration), who is Li’s wife and an accomplished Tai Chi master in her own right.
One especially interesting point: Talking about this form as an exercise for older practitioners, Li says that it elevates the heart rate to about 120 beats per minute, and a maximum of 150 beats per minute in its most demanding parts. Perfect.
Last year, my doctor, who knows I do Tai Chi every day, asked me about whether my practice was sufficiently aerobic. He was no doubt picturing slow, Yang-style Tai Chi (which involves more exertion than most people realize, if they haven’t tried it). Next time I see him, I’ll tell him about the heart rate for Xi Yang Mei.
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