Tai Chi and Wushu: What’s the difference?

On the question, What is Tai Chi? Here is a recent, in-depth and wonderful interview with Grand Master Aiping Cheng: https://cinaoggi.it/2026/07/05/intervista-con-aiping-cheng-allenatrice-e-giudice-di-tai-chi-e-wushu-di-fama-internazionale/

Master Aiping is unusual in the Tai Chi pantheon in being not only a great Tai Chi master but also a leading Wushu artist. Here is a short but stunning demonstration of Aiping doing a straight sword routine.

After reading the interview, and seeing this video, I found myself pondering the difference between Tai Chi and Wushu. So I asked Aiping that question, and she sent me this answer:

What is the difference between Wushu(武术) and Tai Chi?

Grand Master Aiping Cheng: “Wushu(武术) is the collective term for all Chinese martial arts, including empty-hand systems, weapon forms, and combat events. More precisely, your question is really about the difference between the external martial arts (外家拳) and the internal martial arts (内家拳), because Tai Chi is simply one style within the broader system of Chinese Wushu.

Grandmaster Aiping Cheng with sword

“Chinese Wushu has a history spanning thousands of years, giving rise to numerous styles and schools. Traditionally, these systems have been broadly categorized as internal and external martial arts.

“However, the distinction between “internal” and “external” is neither absolute nor a matter of superiority or inferiority. Rather, they represent two different paths of cultivation that evolved throughout the long history of Chinese martial arts.

“The internal arts are represented by Tai Chi (太极), Xingyiquan(形意), and Baguazhang(八卦), while the external arts include Shaolin Kung Fu(少林功夫)and many other traditional systems. Although their methods of training differ in emphasis, both are founded on martial application, aim at self-cultivation, and are rooted in Chinese culture. Together, they form the rich and complete heritage of Chinese martial arts.”

Different Cultural Expressions, the Same Spiritual Pursuit

Grand Master Aiping Cheng: “External martial arts place greater emphasis on the martial spirit. They stress strength, speed, courage, and decisiveness. Through rigorous fundamental training, practitioners develop physical fitness and practical fighting ability, embodying the spirit of strength, perseverance, and continual self-improvement.

“Internal martial arts place greater emphasis on inner cultivation. Drawing upon the Confucian ideal of harmony and the Daoist philosophy of following nature, they emphasize the balance of yin and yang, the integration of hardness and softness, and using stillness to control movement. Physical training and mental cultivation are developed together as one.

“One emphasizes the martial, while the other emphasizes the Way (Dao道). One focuses more on external capability, the other on inner refinement. Yet both ultimately pursue the same martial ideal: to cultivate virtue through martial practice and to realize the Dao through martial skill.

“True martial arts are not merely about learning how to defeat others; more importantly, they teach us how to improve ourselves.”

Two Different Paths of Training

Grand Master Aiping Cheng: “External martial arts generally follow the approach of ‘from the outside inward.’ Training begins with the body. Fundamental skills, kicking techniques, footwork, strength, speed, explosive power, flexibility, and offensive and defensive techniques all form essential parts of practice.

“Through constant repetition, movements become more precise, the body becomes stronger, and coordination and combat ability gradually develop. As a result, external martial arts are often characterized by powerful, fast movements, distinct rhythms, and striking visual impact.

“Internal martial arts, by contrast, follow the path of ‘from the inside outward.’ Training begins by correcting body structure and developing a relaxed, rooted, and stable posture. Through breathing, intention, weight transfer, and whole-body coordination, movements gradually become unified internally and externally, with the upper and lower body moving as one.

“Tai Chi emphasizes ‘guiding qi with the mind, and moving the body with qi.’ Xingyiquan emphasizes ‘the harmony of mind and intention, intention and qi, qi and power.’ Baguazhang emphasizes continuous walking, turning, and transformation, with the body changing in harmony with the steps. Although their methods differ, all of them stress developing an integrated movement system from the inside outward.

“Therefore, although the movements of the internal arts often appear slow and gentle, they require every part of the body to work together in complete coordination, achieving the principle that ‘when one part moves, every part moves.’

“These two methods—one progressing from the outside inward, the other from the inside outward—may seem different, yet both follow the same martial principle of gradual, systematic progression from the simple to the profound.”

From Form, to Strength, to Jin(劲) – The Three Levels of Chinese Martial Arts Training

Grand Master Aiping Cheng: “Whether one practices the internal or external arts, a complete martial arts education ultimately consists of three progressive levels:

  • Form (形): establishing correct structure, posture, movement, and technical precision.
  • Strength (力),  developing physical power, endurance, speed, coordination, and functional ability.
  • Jin劲(Refined Power): transforming physical strength into integrated, efficient power through whole-body coordination, timing, relaxation, and intent.

“These three stages are not separate, but build upon one another. Form provides the foundation, strength supplies the capacity, and jin represents the highest level of martial expression.”

Conclusion

Grand Master Aiping Cheng: “The internal and external martial arts represent two distinct paths that emerged during the historical development of Chinese Wushu.

“One emphasizes the cultivation of physical capability; the other focuses on developing whole-body integration and internal coordination. One progresses from the outside inward; the other from the inside outward.

“Yet regardless of which path one chooses, genuine martial arts training cannot be separated from the proper development of form(形) the accumulation of strength(力) and the refinement of jin(劲).

“When form becomes natural, strength becomes unified throughout the body, and jin is fully integrated into both body and mind, martial arts transcend mere technique. They become a means of self-cultivation rather than simply competition; a cultural tradition rather than merely physical exercise; and ultimately a lifelong path toward self-understanding and the refinement of character.

“This enduring philosophy is precisely why Chinese martial arts have flourished for thousands of years, and why they continue to transcend geographical and cultural boundaries, inspiring practitioners around the world today.

-Aiping

7/24/26

Visit her website: https://aipingcheng.com/

Tai chi Sword: Taijijian 太极剑

The Tai Chi solo sword form is the first step in learning to fight with a sword. If you have read my series on the Sword of Li Jinglin, you will be familiar with the process. After acquiring a basic competence in taijiquan (bare-hand Tai Chi), you incorporate the sword in your practice by adding the jianfa—swordfighting techniques.

me and sword: cha bu xia ci
Tai Chi 24-sword, Xia ci – Downward stab

The sword form is not a pantomime of a swordfight. It is the practice of one form of swordplay after another. The form is designed so these moves flow from one to the next. So, for example, in 32-sword, I practice the jianfa called 带 Dài, first to the right, then to the left.

Dai is a technique for countering a stab by an opponent directly in front of me. [Dai translates as “carry” but the English word is neither descriptive nor helpful.] To start, I am shifted left, so I first practice Dai to the right. Now my weight is on my right. I again practice what I could do in response to a stab from an opponent directly in front of me: I do Dai to the left.

At a comparable point in the sequence, Traditional Yang sword uses 拦扫 Lán Sǎo (block and sweep) to the right and then to the left. Lan Sao and Dai are two quite different movements, different jianfa altogether, but either one could answer a stab, and the principle is the same: you practice the move first on one side, then on the other.

demonstration of lansao (block and sweep).
Lansao (Block and sweep)

There are some basic assumptions that I make when practicing sword. One, I assume that I am facing a single opponent who is also wielding a sword. That is not to say that you cannot fight multiple attackers (good luck with that!) or that a sword cannot counter a different weapon, like a staff. These are interesting and valid variations on the basic moves. But these are advanced variations. As a default, when practicing a sword form, I assume I am fighting one other swordsman.

Another assumption: My opponent is in front of me. At a number of points in any sword form, I practice what to do in response to an attack from the side, the back, an angle, etc. That is, I practice what to do if my opponent is *not* in front of me. The answer is, in every case, that I first turn, so that he is front of me. Then I answer.

Bow stance, stabbing with a sword
Bow Stance, Level Stab; Bluegreen Dragon Emerges from the Water

For example, consider a move common to both Yang Sword (Qing Long Ch Shui—the Bluegreen Dragon Emerges from the Water) and 32-sword (Gong Bu Ping Ci—Bow Stance, Level Stab). In both forms, from the previous move, I am facing due East, and I am attacked from the left corner (NE). I first turn, then fall back and send out my own sword in front of me to contact my opponent’s weapon. Then I draw his sword to my right and counterattack.

In any case where you are attacked from anywhere but head-on, you never just throw your sword out toward your apponent. You first turn your body. Then answer.

This is corollary to a more basic principle in swordfighting, that my first priority is defense. Don’t let my opponent cut me! Then, if I can cut him, that’s good. But first and foremost, I want to stay alive.

In practice, this means that I keep my sword in front of me at all times. It could be the blade, it could be the tip, it could even be the hilt. But I need to at all times use my sword first to defend myself.

Correct position in preparation for ti xi peng jian
Can you see that the tip of the sword is on the blue line on the front of my uniform?

A good illustration of this principle is Ti Xi Peng Jian (Lift the Knee and Cup the Sword) in 32-sword. A comparable move in Yang sword is Ye Ma Tiao Jian (Wild Horse Jumps over the Stream). These two moves are quite different in the two forms, but the point here applies to both.

Sitting back in preparation to start these moves, you do not open up. Pei Yi taught me this. The tip of the sword should be in front of you, on the centerline of your body. Compare the two pictures (above and below): correct vs. incorrect position.

Incorrect: sword is not in front of the body.
In swinging my sword wide, I open myself to attack.

With the tip of the sword on the line from my center to that of the opponent in front of me, I am doing two things at once: I am defending myself and I am aiming my sword at my target. In the second picture, I am doing neither.

I should probably repeat my usual disclaimer: I am not a Tai Chi master! I am a diligent student who has been fortunate to study with more than one excellent Chinese master. I’m just lately doing sword quite a bit after a long-ish spell of not doing sword much at all, so I am thinking a lot about what I have learned, or at least come to think I know, over the years.

Go to Home and scroll down to the Sword section for links to previous posts on sword.